Sonic Sculpture Series I: I Met the Silver Ghost Living Inside the Black Hole is a collection of acousmatic works that explore auditory textures, shapes, and materials through a sculptural approach to sound.

Piece i) I Met the Silver Ghost Living Inside the Black Hole
A vast and continuously mutating Monad mass evokes a sonic fiction between metallic and spectral sounds. It departs from the larger body to form a solo voice approaching a flute, before the Monad mass is recalled once again. The initial vast mass is processed and distorted within this section, forming another world. An empty and hollow fictional space, the movement of a black hole, and the story of a silver spectre inhabiting it become a singular form through sound.

Piece ii) Sound of the Onyx
Following the first work, Sound of the Onyx explores the texture and sonic materiality of raw onyx through open, hollow yet harmonically full resonances and processed instrumental layers. Rather than directly representing the stone, the piece constructs an imagined acoustic body in which weight, opacity, and fractured surfaces emerge through sound. Sampled saxophone sextet performed by the bauhaus saxophone group.

Piece iii) MesoOOOozoic Era
Floating dialogues between notes and timbres unfold within a grounded drone foundation. From afar, traces of living organisms emerge through reverb, echo, and lingering decay, as if a distant biological presence is gradually surfacing within the sonic field. Lost sounds and past events return through resonance, carried by residual reflections and unstable feedback processes. The piece explores the emotional tension that arises between layers of resonance.